Movement is my first memory. It’s the way I learned I carried magic.
It’s my ritual, medicine, and portal between the past and present.
I believe movement is for everyone, and that freedom and movement are synonymous.
That when we move, we remember who we are and who we have been.
My work lives at the intersection of memory, intuition, and possibility.
I offer performance education, movement coordination, and creative companionship rooted in care, especially for Black and Brown youth. I teach movement as an interpersonal connection and a way to implement active body listening. Using my formal training in styles like Modern, House, and Hip-Hop to dismantle the idea of dancing for others and encourage the concept of dancing for self, and sharing that with others. Allowing the body to speak what words can’t hold. In hopes of building a language that belongs to us.
My practice holds close to the principle of Sankofa: Go back and get it.
So every offering is a love letter.
To the ones who came before. To the ones here now.
To the ones not yet named.
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Embark on an overseas residency to deepen my choreographic research, engage with new communities, and explore site-specific movement practices. ​
Travel to Colombia to study traditional and contemporary Afro-Colombian dances and reconnect with my ancestral lineages.
​Facilitate international workshops and movement gatherings that prioritize healing, storytelling, and cross-cultural exchange.
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Collaborate with artists across disciplines—sound, film, visual art, and writing to expand the language of my practice and amplify collective vision.
nominated for a bessy
Travel to Colombia to study traditional and contemporary Afro-Colombian dances and reconnect with my ancestral lineages.